The Butterfly Club is a fine cabaret and comedy venue which relocated from the South of the city into the very heart of it some months ago, bringing along its eclectic collection of dolls, trinkets, pictures, furniture and nick-nacks.
Last night I was there to see 'Corps(e)' a play with musical interludes concerning itself with the fascinating tale of Le Chevalier d'Eon who was a spy and bon vivant during the reign of Louis XV performed by drag artiste Simon Morrison-Baldwin.
Sadly, that's about all I can tell you about the story as my wife and I could make neither head nor tail of due to the rambling nature of the exposition, the forgetfulness of the performer and the sudden insertion of songs which did not appear relevant to the tale.
Perhaps I am judging this production too harshly as it garnered decent amounts of applause from the majority of our fellow patrons and perhaps it will improve over its run, but - given the brevity of the run and the fact that this was the second night - I have my doubts.
This show clearly needs further rehearsal time to allow Morrison-Baldwin time to become more familiar with the character and his lines. The accompanist was effortlessly professional, providing the necessary prompts throughout and leant the necessary air of refined restraint to the production.
All-in-all this was a disappointing show which could have been so much more given the time and effort.
Last night I was there to see 'Corps(e)' a play with musical interludes concerning itself with the fascinating tale of Le Chevalier d'Eon who was a spy and bon vivant during the reign of Louis XV performed by drag artiste Simon Morrison-Baldwin.
Sadly, that's about all I can tell you about the story as my wife and I could make neither head nor tail of due to the rambling nature of the exposition, the forgetfulness of the performer and the sudden insertion of songs which did not appear relevant to the tale.
Perhaps I am judging this production too harshly as it garnered decent amounts of applause from the majority of our fellow patrons and perhaps it will improve over its run, but - given the brevity of the run and the fact that this was the second night - I have my doubts.
This show clearly needs further rehearsal time to allow Morrison-Baldwin time to become more familiar with the character and his lines. The accompanist was effortlessly professional, providing the necessary prompts throughout and leant the necessary air of refined restraint to the production.
All-in-all this was a disappointing show which could have been so much more given the time and effort.